Figurative Language Processing: Reader’s Theater & Drama

Figurative Language Processing: Reader’s Theater & Drama

Reading fluency, comprehension, prosody (the highs and lows of the voice to convey emotion), —these facets of reading sound like a bunch of educational mumbo-jumbo, but they matter! As I continue to poke around in figurative language processing, these components have to be mentioned because many readers need us to teach these skills directly, at least until they get the idea. Sounds like a lot to manage? Not really—not if you root these skills in an activity that rightly brings each area to the forefront in a kid’s thinking.

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Figurative Language Processing and the Writer’s Workshop

Writer's Workshop with Shurley English.jpg

As part of my series-within-a-series for figurative language processing, writer’s workshop might seem like a surprising topic to bring up in a discussion about reading comprehension. But, it’s not. I have worked with many students through the years, many who struggled with reading comprehension. They struggled for various reasons, but I discovered that even the poorest readers could read their own writing.

 

So, writer’s workshop proved to be a very important step when helping struggling readers to find not only their writing voice, but also their reading voice. When you couple that with showing the students how to nuance their writing by using figurative language, they can then connect that understanding to both reading and writing.

 

Ben Franklin’s old truism about teaching goes: “Tell me and I forget, teach me and I may remember, involve me and I learn.” It’s as true today as it was when he first said it. That’s why writer’s workshop is an ideal event where students gain real experience with figurative language.

 

I set up writer’s workshops just like I set up literature groups. Every other day, students will either engage in a literature group or in a writer’s workshop. During the writer’s workshop, a lesson about alliteration, for example, might have spring boarded from the previous day’s literature group discussion about a tongue twister, like Peter Piper. After having immense fun reading Peter Piper and having discussed alliteration, the topic for the next writer’s workshop is born!

 

Each writer is asked to create their own tongue twister, which will highlight alliteration as the “skill” to sharpen up. At the next writer’s workshop, students will be encouraged to read their tongue twisters aloud or in pairs. This is just a simple example to demonstrate how simply figurative language can be taught in a hands-on way, using writing as the vehicle.

 

You might want to try using writer’s workshop to encourage your kids’ figurative language processing skills. Below is a list of types of figurative language that you can explore:

  • alliteration

  • onomatopoeia

  • rhymes

  • similes

  • metaphors

  • personification

 

If you do an internet search for children’s books and youth’s novels that serve as excellent mentor texts for each of these kinds of figurative language, you will be amazed at the multiple opportunities you can offer your students to dabble with figurative language and truly comprehend it.

(This post is part of a series on Micro-Comprehension. To start at the beginning, click here. To view the next post in this series, click here.)

Micro-comprehension: Figurative Language Processing

Micro-comprehension: Figurative Language Processing

If you are a reading teacher, or if you have a sweeping love of books, you probably know about literary devices, which include figurative language. In this series about micro-comprehension, I have been touching upon the kinds of connections students need to make with stories they read or hear. Those connections are possible when micro-comprehension is happening in the reader’s mind.

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The Playbook of Literary Success: Vocabulary

The Playbook of Literary Success: Vocabulary

What if elementary teachers approached the subject of Language Arts as if it was a competitive sport? Just think of it… every K-8 teacher would be part of a coaching staff charged with developing players’ language arts knowledge and skills. In this analogy, the playbook contains plays designed to help each team member achieve literacy success, which is the ultimate goal of the game! The knowledge and skills learned by each team member will grow into great competence, and every time these competencies are used to practice or compete, confidence will grow.

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